MacTac Graphic Products has introduced Imagin Perforated Window Media WP129, a one-way visibility film used to transform indoor or outdoor window surfaces into graphical canvases on one side, without sacrificing significant visibility on the other.
Whether you’re primarily outputting graphics onto rigid or roll materials, or a mix of each, you inevitably have a need to cut to finish the piece. But just what type of cutting equipment do you need? Will a manual cutter or cutting saw do the trick? Or, are you in the market for a cutting plotter? Or perhaps your cutting needs are a bit more detailed and intricate, so it’s a CNC router or even a laser cutter that’s necessary for your shops usual array of products?
FlexCon, the manufacturer of pressure-sensitive films and adhesives, has announced that it has entered an agreement to acquire the business assets of the Graphics Division of Arlon, Inc. of Santa Ana, California, to form a company to be named Arlon Graphics, LLC, a new, wholly owned subsidiary of FlexCon. The purchase, FleCon reports, will strengthen its market leadership position by expanding its product portfolio in advertising and promotional products, as well as extending its sales channel and global market presence.
Extensis has unveiled the DAM Learning Center (damlearningcenter.com), a new website that brings together information sharing, best practices, and industry expert insights on digital asset management into a central location. The site offers visitors an array of articles, webinars, tips and tricks, tools, and case examples, with information and guidance from experts across the digital asset management industry.
At last count, Google listed more than a trillion – that’s a one with 12 zeros after it – URLs in its index. That’s a lot of competition for shops to differentiate themselves amid a sea of virtual competitors.
Print shops successfully working with fine artists have been able to master not only the skills and technologies necessary to create nearly identical duplicates of their clients’ artwork, but they’ve also aced the test when it comes to attracting clientele seeking out a “fine-art friendly” print provider.
Years ago while I was in college, one of my accounting professors – one of the country’s foremost experts in white-collar fraud – informed us that he was going to spend the class period talking about fraud and how it might affect us during the course of our careers. We were somewhat surprised when he told us that during the course of our careers we would no doubt be witnesses to fraud and may even find ourselves susceptible to its temptations.
For the past decade, I’ve had a “mad scientist” vision of creating two inventions for our industry: a time machine and an anti-gravity machine. We all could use the time machine to satisfy customers who want their prints yesterday, or to travel to the future to see if that six-figure piece of equipment we plan to buy will be obsolete in six months. And, because we are all painfully aware that trouble (among other things) flows downhill, we could use the anti-gravity machine to reverse the flow and deliver it back to those who created it in the first place.
For a few weeks last autumn, television came alive in Midtown Manhattan’s Cassa Hotel and Residences, when Showtime Networks collaborated with leading designers, technology partners, and print providers to transform the top three penthouses of the 48-story building into a showcase of digitally printed, multimedia graphic displays. Inspired by seven of the cable network’s leading original series, the Showtime House 2010 featured innovative décor items emulating the style and persona of each program, and highlighting the integration of technology and creativity.
German for “flying day,” the celebrated Flugtag event sponsored by Red Bull encourages average, untrained people to test their ability to fly. Even though the human-powered flying machines rarely achieve a height of more than a few feet from the 30-foot deck, daredevils everywhere continue to take the risk.