Roland University has been renamed Roland Academy, a move designed to reinforce Roland DGA’s strong affiliation with other Roland training and education centers worldwide, the company reports.
Here's a sneak peek at our upcoming Industry Roundtable, which will appear in our October issue. Each year, we gather together some of the top consultants in the market to comment on current industry trends and forecast where the market might be in the next 12 months. Our roundtable experts this year include: Marco Boer, consulting partner, I.T.
Dave Merrick launched BIGraphics, Inc. (bigraphicsinc.com) in Nashua, New Hampshire, in 1996 as part of an unplanned midlife career change. “I got laid off in early 1996 as a product manager for desktop printers,” he recounts. “I was in my early 50s, and there wasn’t a lot out there. I went to a franchise show in Boston and ended up buying a turnkey wide-format printing system. My plan was to align myself with retail photofinishers and frame shops in my area and offer to print their customers’ photographs on canvas.
Canon U.S.A. has announced that the Océ North America Wide Format Printing Systems division has been named as a dealer of its imageProGraf large-format printers. As an authorized Canon dealer, Océ Wide Format Printing Systems will begin offering Canon’s lineup of imageProGraf large-format printers and supplies, including the 8-color imageProGraf iPF8000S/ iPF9000S models as well as the 5-color Technical Documents and General Use Series. Later this year, Océ Wide Format Printing Systems will add the 12-color imageProGraf iPF8300, iPF6350, and iPF6300.
Graphics One has launched the GO Kalendar Dual 66, a 66-in. dual heat transfer calendar system.
Offering a dual capability to transfer high-definition, high-quality output imaging for both dye sublimation and direct-to-fabric fixation, the Kalendar Dual 66 features a maximum transfer imaging size of 66-in., a maximum paper size of 66-in., and the ability to accurately and evenly transfer high-quality dye sub images, Graphics One reports. Its 40-second exposure time provides transfer speeds of more than 43-in./minute.
The Wrap Glove from ImageOne Impact is designed to reduce and remove friction when hand-cutting vinyl and during vehicle-wrap installs. The glove’s fibers don’t shed or promote static, and they prevent the transfer of oils or perspiration from the user’s skin. The washable glove can be used to handle both the adhesive and non-adhesive sides of digital media and wrap films.
Price: $19.95 per pair.
The Specialty Graphics and Imaging Association Expo (SGIA, sgia.org) is betting on a successful event as it gets set to roll the dice at the SGIA Expo 2010, October 12-15 at the Las Vegas Convention Center. Okay, it’s not actually that much of a long shot--if last year’s event in New Orleans is any indicator, SGIA can expect upwards of 14,000 participants for the tradeshow which, to date, has slated more than 365 exhibitors and will showcase some of the newest technology available in the wide-format marketplace.
Many wide-format jobs aren’t finished when the ink is on the substrate. Applications from point-of-purchase displays to signage to window stickers often call for cutting out custom shapes. To meet those demands, many print providers now include routers or cutters among their finishing tools.
The old Chinese proverb relates, “Give a man a fish and he eats for a day. But teach a man to fish and you feed him for a lifetime.”
We spend a lot of money on printers and ink, so why can’t the color just magically come out correct every time? It sure would be nice if it did. I know we all have experienced this magical accurate color at some point, usually the first day you install a new printer. So what changes? Why can’t the red I got yesterday just come out as the same red today? Why does it all have to be so difficult?