Onone Software’s new Perfect Resize 7 is based on Genuine Fractals’ algorithms for enlarging images to any size or resolution necessary while maintaining fine image details, the company reports. Ideal for creating poster or wall-sized prints, as well as enlarging cropped photos, Perfect Resize allows for the resizing of images up to 800% and beyond. It can be launched directly from the desktop as a standalone application or from within Photoshop (as well as Lightroom or Aperture in the Professional Edition).
GPA has added an eco-friendly addition to its line of Ultra Digital papers for HP Indigo presses: 100% PCW Recycled Uncoated Pressure Sensitive Paper. The 50-lb recycled facestock is made with 100% post-consumer waste fibers, and is FSC- and Green Seal-certified, acid-free, lignin-free, and process chlorine-free (PCF). It features a general-purpose permanent adhesive and an 80-lb kraft liner which has 10% PCW and is also FSC-certified. The paper is compatible with a variety of finishing processes, including die cutting, perfing, scoring, UV coating, laminating and foil stamping.
FlexCon has introduced two “greener” alternatives for at-retail applications for windows and counter mats: WindowDeco and FlexMark floor art. Both products are phthalate-free and are produced with less solvents, providing a smaller carbon footprint, the company reports; both are also UV-printable.
Epson America has added three new canvas products to its Signature Worthy collection of media. Epson’s Exhibition Canvas Gloss, Exhibition Canvas Satin, and Exhibition Canvas Matte are engineered for professional photographers, artists, fine-art reproduction houses, and print-for-pay businesses. All three are built on a polyester and cotton blend that’s specially coated to produce vibrant colors as well as rich, deep blacks and tonal gradations; the heavy 21-mm poly-cotton canvases can be easily stretched and coated.
MacTac Graphic Products has introduced Imagin Perforated Window Media WP129, a one-way visibility film used to transform indoor or outdoor window surfaces into graphical canvases on one side, without sacrificing significant visibility on the other.
Whether you’re primarily outputting graphics onto rigid or roll materials, or a mix of each, you inevitably have a need to cut to finish the piece. But just what type of cutting equipment do you need? Will a manual cutter or cutting saw do the trick? Or, are you in the market for a cutting plotter? Or perhaps your cutting needs are a bit more detailed and intricate, so it’s a CNC router or even a laser cutter that’s necessary for your shops usual array of products?
FlexCon, the manufacturer of pressure-sensitive films and adhesives, has announced that it has entered an agreement to acquire the business assets of the Graphics Division of Arlon, Inc. of Santa Ana, California, to form a company to be named Arlon Graphics, LLC, a new, wholly owned subsidiary of FlexCon. The purchase, FleCon reports, will strengthen its market leadership position by expanding its product portfolio in advertising and promotional products, as well as extending its sales channel and global market presence.
Extensis has unveiled the DAM Learning Center (damlearningcenter.com), a new website that brings together information sharing, best practices, and industry expert insights on digital asset management into a central location. The site offers visitors an array of articles, webinars, tips and tricks, tools, and case examples, with information and guidance from experts across the digital asset management industry.
At last count, Google listed more than a trillion – that’s a one with 12 zeros after it – URLs in its index. That’s a lot of competition for shops to differentiate themselves amid a sea of virtual competitors.
Print shops successfully working with fine artists have been able to master not only the skills and technologies necessary to create nearly identical duplicates of their clients’ artwork, but they’ve also aced the test when it comes to attracting clientele seeking out a “fine-art friendly” print provider.